Four4BIT Animation Studio is excited to present our latest ' Four4BIT Creative Spotlight ' featuring our fifth guest! The traditional Hand-Drawn Animator Jon (Jonathan) Densk! With collaborations including Disney, Warner Bros., Pixar, and PASSION Paris, Jon is making waves in the animation industry. If you follow animation on social media, you may already know him from his original short film "Axolodyssey". In this exclusive interview, Jon shares his journey, challenges, and insights. Get ready to be inspired by Jon’s story! Hi Jon! Thank you for joining us today. We’re thrilled to have you for a special interview on Four4BIT Creative Spotlight! Your work in animation is truly inspiring. From Disney's " Disenchanted " to WB's " Space Jam: A New Legacy ", “ Bjorn the Last Unicorn ” directed by Tom Bancroft, to your original short film “ Axolodyssey ”, and so much more – your journey and dedication to the craft of hand-drawn animation are impressive and uplifting! Let's start at the beginning. What ignited your passion for diving headfirst into the vibrant world of animation, and how did you get started in the industry? That is actually a funny story.. I was never actually aspiring to be an animator growing up. I'm not even sure I fully knew what it was. I knew what cartoons were but I never understood what went into making them. I wanted to be a Comicbook artist. I was, and still love, Comicbooks like Bone , Garfield , Calvin and hobbes . It wasn't until I entered college that I was introduced into the world of animation properly. I did one test and I got immediately bit by the bug, as they say, and never looked back. However, years later I remembered I actually did some Animation in High school in cartooning class, and from what my old teacher had told me, I was the only one in class who was any good at it haha! It was meant to be, I suppose. That's actually a very unique path that led you into the animation industry! It sounds like it was meant to be! Could you share one of your favorite or most memorable projects you've worked on and what made it so special for you? I would say, even though I've worked for dream studios like Disney , WB , and Pixar , I would say my current favorite and most memorable project was the latest I was on, which is “ Moonlit Bamboo Forest ” done with PASSION Paris . I really learned a lot with them, felt like I was challenged 24/7, and loved the crew. Not to mention I had become a father 3 days before joining too haha! Talk about multitasking. "Moonlit Bamboo Forest - HoYoFair " Wow! That's a fantastic and exciting project! And 'Mazel Tov' on becoming a father! We would love to hear some insights into the creative process behind "Moonlit Bamboo Forest. This project was Directed very well by David Pagaille , so every shot was pretty thought out before I even touched it, however, whenever I approach a shot, I always put myself in the character's shoes and lose myself for a few hours! I'll act out sitting in my chair the same thing over and over until I feel like I feel the shot enough to scribble it out.  That's fascinating! Working with David must have been an incredible experience; he’s so professional and talented. And your dedication to understanding the character truly brings your work to life, we can definitely feel it in the final result! Jon, your passion for traditional Animation is truly inspiring! We're intrigued by your process of creating the original short film "Axolodyssey". First, could you share what this project is about? The film is about Jojo , a lone axolotl on a journey to find his family. His only lead is a flyer for a pet store, selling axolotl. He's so desperate he'd ask anyone, even a bug to show him the way to the store. He encounters new friends as well as some not so friendly, giant creatures… :) "Axolodyssey - The Movie Trailer" That sounds like a beautiful adventure! Where did the inspiration for this idea come from? The idea came to me almost all at once in 2020 one night. It was subconsciously written off my experience of being forced to not see my family for almost 2 years during the pandemic. Why an axolotl? I don't really know! I drew Jojo and watercolor’d him, Than the story just came to me. At this time too, I was being introduced to Studio Ghibli and realized how much I connected with their way of storytelling and articulate animation. I was overwhelmingly inspired to take what I've learned and tell my own story. I also was very inspired by the greenery in my neighborhood haha, lots of walks, lots of observation. "Jon Densk's - Axolodyssey - Short film - (Layout)" That's actually a very inspiring example of something positive emerging from a challenging time! This project is truly captivating! We would love to hear more about the creative process behind bringing this adventure to life! A lot of people write a script first for their films, but I typically let an idea settle in my mind for a little while, thinking about it when I go out and about in my life. Images come to my mind and even sometime animated shots. So being that I thought up I'd say 75% of the film in one night, I just started storyboarding it. I didn't write a script, I wrote it as I boarded. Your process is incredibly intriguing and unique! Creating a traditional hand-drawn short film independently must come with its own set of challenges. Could you share a particularly challenging experience you've encountered during this process and how you navigated through it? There's a few things, Time , Money and a Strong Team . Animation really is a painful hassle. It takes forever. So that's always a challenge. I end up typically working 8am to 11pm myself. Monetarily, I have the worst budget on the planet. We almost were funded with a Kickstarter I ran last year but fell short at the last minute. So luckily, I have friends who want to help just see this get made. Both of these things fall flat to a strong team however. Finding animators and artists that fit the style isn't always easy. But they're out there! It's certainly challenging, but having such creative and supportive friends invested in bringing Jojo's Adventure to life is truly inspiring! We're eagerly looking forward to seeing the final short film when it's ready! In your social media presence, viewers can see breakdowns of scenes you’ve created, offering a behind-the-scenes look at your animation process. What inspired you to share these posts, and what benefits do you believe viewers gain from seeing these detailed breakdowns? I think young and seasoned animators can benefit from seeing how other artists work. Its fun and inspirational. So I always like sharing how I work visually, plus I like seeing scribbly lines move. What are your thoughts and insights on using platforms like Instagram to showcase your artwork and creative process as an artist? Well its definitely helped my life out a lot. Im not really a fan of social media but I can say without a doubt I wouldn't be here without it today. Its really nice and inspiring to see other artists work and get exposed to things I wouldn't otherwise. It also serves as an editable 24/7 portfolio too so for up and coming artists it's easier now to get recognized than it probably ever was. "Axolodyssey - Animation Breakdown" Amazing! Reflecting on your great experience, what key skills or techniques would you recommend aspiring traditional animators to focus on developing? Animating truly from your heart, not to steal Glen Keane's line, and to focus on draftsmanship. I never understood what animating from the heart felt like until I started diving deep into my own projects, crafting my own worlds.. my own set of people.. You have to put your life experience and heart into those things. So if you can feel it in your heart, it comes out on the paper very easy. Plus, solid drawing is always important. And thats a struggle everyone deals with, including me. "Bjorn The Last Unicorn - Pencilish Show - Episode 1" That's incredibly significant! It's truly inspiring that this perspective arose from your involvement in developing your own personal projects and ideas. Now, what advice would you offer to individuals who are just starting out in the animation industry? Don't give up. It is hard, and daunting for everyone. Just know your own capacity and do what you need to do to continue. Beautiful! Regarding your other projects, we've noticed your significant involvement in writing an original comic book ("The Great Hollow"), being involved in creating the music for "Axolodyssey," and working on another feature film! Could you share how these projects fit into your schedule and creative journey? Additionally, what keeps you creatively inspired and motivated in your work? Actually, my friend Kennoniah  who rocks created the music! And that's a great question. I think I must have a problem. I just feel I have well of stories to tell. I've always wanted to have my own comic series (The Great Hollow), which I've renamed FLEA by the way! But I'm really turning my focus on animated features. It just has become what I love making. If you think I am handling a lot, you should see the film idea list I have on my phone haha! The feature film I've been developing is very important to me. That takes up a lot of my brain space. Haha, that's fantastic! It sounds like creativity runs deep with you. We're excited to see your vision unfold with your animated features and FLEA comic series! Looking ahead, where do you see yourself in a couple of years as you continue to advance in your career and pursue your passion for animation? Ideally, I would be working on my own production. But I'm only 27 and there's a lot of years still ahead of me so I am waiting impatiently for that day to start haha. I would love to direct a film at the least! But being that I am so passionate about my own projects, I know I'll be working on them one way or another ha. That sounds like an exciting journey ahead, Jon! It's clear that you have big dreams and a strong drive to bring your own projects to life! Moving forward, what changes or additions do you believe the industry needs right now? I can say so much about this.. Haha. I think America really needs to let hand-drawn animation happen again. It's gone on long enough at this point, and I don't really see an excuse anymore, personally. I also think a lot of animated films are to angled at marketing or already established IP. That's a compelling perspective! Bringing a stronger focus on hand-drawn animation would indeed infuse the industry with a unique charm and artistry, especially considering the technology available today! Now, as we strive to spread positivity and inspiration through our work, we believe in the power of each individual's voice to make a difference! Jon, the stage is yours to illuminate the world with your message of positivity. What would you like to say? I believe that people are not inherently good or bad but human nature is inherently complex. One of my favorite lyrics by Neil Peart is " in the sweetest child there is a vicious streak, in the strongest man theres a child so weak ". I think if people took the effort to look at others as a fellow individual, people would realize we are all not so different. This belief is one of the reasons I identify so strong with how Hyao Miyazaki views “Villians” in his films. That's a beautiful message! Finally, what exciting projects or endeavors can we look forward to from you in the future?  I have a few Disney Lorcana cards coming out at some point, but other than that I am working on Axolodyssey , Flea and my film every day. Jon, thank you so much for sharing your fascinating journey and insights with us today. Your passion and commitment to hand-drawn animation are truly inspiring. It's evident that your creative drive and unique perspective will continue to shape the future of animation. We eagerly anticipate the incredible projects you'll bring to life, including Axolodyssey, your feature film, and Flea. Wishing you all the best in your endeavors, and thank you once again for enlightening us with your experiences and thoughts. All the best to you! Jon Densk's Website  | Kickstarter  | LinkTree You can also find Jon Densk on social media such as : Instagram | Twitter | YouTube | Linkedin | TikTok | | Patreon Love the Interview? Let us know on the comments! Think you have something to share? Want to be featured on Four4BIT Animation Studio's Creative Spotlight ? Submit for an interview right: Here And... For more exclusive interviews, news, and basically If you like our content and want to see more, don't forget to follow us on Social Media! Facebook | Instagram | Twitter X | YouTube

Four4BIT Animation Studio is excited to present our latest 'Four4BIT Creative Spotlight' featuring Traditional Animator Felipe Almeida! With collaborations including AppleTV, Warner Bros., Netflix and Disney, Felipe shares his journey, challenges, and insights. Get ready to be inspired by Felipe’s story! Hi Felipe! Thank you for joining us today. We’re thrilled to have you for a special interview on Four4BIT Creative Spotlight! Your work in animation is absolutely incredible and inspiring. From AppleTV's Peanuts Specials (Snoopy!) to WB's upcoming Looney Tunes movie "The Day the Earth Blew Up", Disney’s "Disenchanted", "101 Dalmatian Street", "Trolls", "Carmen Sandiego", "My Little Pony: The Movie", and so many more(!) – your contributions are truly impressive and inspiring! Let's start at the beginning. What sparked your interest in animation and how did you get started in the industry? Hi, first of all, thanks for having me. I grew up in Brazil in the early 90’s and watching cartoons was a big escapism from how difficult life was at that time, and for some reason, in that same period, Anime's were really present on TV, so my earliest memories of being obsessed with Animation was me as a kid watching Saint Seyia and Rurouni Kenshin. I couldn't even tell you when an actual decision was made, I just knew whatever that was (Anime), I wanted to be part of it since I can remember. My break into the industry was still back in Brazil, in 2010 I believe. I got a chance to work in a small studio in Rio de Janeiro, doing mainly those very simple preschool cut out shows, and slowly tried to polish my skills to get to what I always loved, which was Traditional Animation. Wow, that sounds absolutely fascinating, decisive, and inspiring! Could you share one of your favorite or most memorable projects you've worked on and what made it so special for you? Still back in Brazil, the second ever show I worked on was called ‘Yellow Woodpecker Ranch’, which was based on the work of a famous Brazilian author. That project to me marked an early time in my career where I was given a lot of freedom to learn and experiment, and that entire team was so united, it really taught me the meaning of working as a team. "Yellow Woodpecker Ranch - (Sitio do Picapau Amarelo) Animated Series" Fast Forward to 2016, when I moved to Canada and got to work on ‘My Little Pony - The Movie’, which was my official first feature film experience, working at an international level, with artists from all over the world, that really gave me a sense of how far I could go if I put my mind to it. After that, I would say breaking out on my own as a full time freelancer has been a really incredible experience. I have learned a new way to look into my career and see so many possibilities I wasn’t able to see before. I get to work with incredible studios and collaborate with amazing animators, and apart from the work itself, I was embraced by the freelance community and we are all constantly helping each other to learn and grow. I’m truly thankful for what I do and super excited for what comes next. "My Little Pony - The Movie Trailer" Your experience definitely reinforces the importance of teamwork and serves as a great inspiration to aspiring artists, showing that international opportunities and thriving as a freelancer are within reach in the animation industry. Thank you so much for sharing these insights, Felipe! Building on that, you've worked with various studios and projects in traditional animation, each with its own style. How do you adjust your animation style to suit the specific needs of different projects, teams, and studios? Well, that’s always a challenge. The best thing you can do is first, communicate a lot. If you need any supportive material to help you get the hang of a style, don’t wait, just ask. Get familiar with the model sheet of the characters, draw them as much as you can and always keep it close to your animation while you work, so you always have a solid reference to compare. And I can't stress this enough, work as a team player, ask the other artists how they solve those problems, and learn from other people’s experience. Absolutely! That's invaluable advice that will surely benefit many animators. Now, turning to your creative process, could you share what it looks like when you start a new project? I like to spend time at the start of anything I have to animate by doing prep work. By that I mean studying the model sheets, asking for as much direction as possible, planning my shots before really jumping into animation. I do a lot of real size thumbnails a lot (in the past artists would do tiny little drawings on a separate piece of paper for the same purpose, nowadays, working digitally, I like to see those thumbnails big on screen), just to get ideas out of my head, and try different things with fast loose drawings, before really committing with anything. "Carmen Sandiego - Official Trailer - Netflix" That's super interesting! Felipe, throughout your professional journey, you've assumed various roles in the animation industry. Your most recent position was as an Animation Supervisor for Apple TV's Peanuts specials. For those who may not be familiar, could you elaborate on the responsibilities associated with being an Animation Supervisor and why this role is crucial in the animation process? In short, the animation supervisor needs to provide the animation team with all the information they need in order to animate a successful shot, sometimes providing critique to their work so we are all moving in the same direction. My own take on that job also includes taking good care of my team, making sure they have a fair chance to do their best, giving them a balanced amount of work, recognizing each artist's strengths and playing to that. Making sure they have a safe work environment and a voice, sense of ownership is fundamental to make a strong team on any project. "The Snoopy Show - Peanuts - Apple TV" Absolutely! Your insights into the role of Animation Supervisor are truly enlightening. Your focus on recognizing each artist's strengths and ensuring a balanced workload really resonates with the importance of fostering a supportive team environment! Now, moving on, one of your most recognized works on social media is your collaboration with Lilly Wolters (@liliyth) on the pink-haired lady animation, which became super famous on Instagram! Could you share some insights into working on this piece, especially considering it has a "lineless look"? That was so fun, I’m a big fan of Lilly’s work and you all should go check out her art. To be fully honest, I didn’t have a plan for how to deal with the lineless look when I started animation. I was just so attracted to the feeling of freedom and relaxation that that piece had, all I was focusing on was trying to capture that vibe. Once animation was done, I used my tools to my favor. Toon Boom has a great tool inside the brush settings that allow you to mask whatever you draw inside a previous brush stroke, so I just colored the lines (which were in a separate layer) with the local colors using that option, and it made it look like there’s no lines, even though they are there. XD Haha! That's super cool and a really creative trick! Truly love it! The result is stunning, and it really emphasizes the importance of mastering your software tools to bring your artistic vision to life! Regarding that, how do you approach collaborations in general, and what are your thoughts and insights on using platforms like Instagram to showcase your artwork and creative process? For most of my career I didn’t share anything I did, mainly because I believed nobody was interested, and oh boy was I wrong. I recommend to any artist to put yourself out there as early as possible. If you feel like you’re not good enough yet, guess what, we all feel that way, and we all get better with time. Just start and let people see your progress. We are all recently trying to figure out this AI thing, and what that means for the work we put out there, I still don’t have an answer for that, like most of us I imagine, but aside from that, showing what you do to EVERYBODY can only empower your art, and give you a real sense of the value and reach of your personal work, and it creates a channel to showcase your own voice. That's so true and super inspiring answer! On another note, you recently announced that Toon Boom is sponsoring you after utilizing their software for over 14 years! That's incredible news! Could you tell us how you incorporate Toon Boom into your creative workflow, and how did this sponsorship opportunity come about? Toon Boom is an incredible tool for animation, and I'm not saying that only because I’m now sponsored, remember, I’ve used it for nearly 14 years prior to that happening. That example of how I handled the lineless look of that collab with Lilly showcases the great solutions that tool has to make your life easier. Working with nodes instead of infinite layers is really helpful to organize and visualize every element of what you’re working on, the camera system is incredibly simple and efficient, it’s great for puppets, it’s great for traditional animation, I’ve even done BGs 100% painted on Toon Boom, it has a great integration with 3D assets. It’s just an all around well built software, designed to attend all animation needs. The sponsorship came about in connection with what I was saying about the importance of putting your work out there. Toon Boom have been recently getting in touch with me for livestreams where they really just wanted to ask me questions about my personal work and overall approach to animation, and those invitations came from seeing what I was doing on Instagram. And those conversations and livestreams was what led to the partnership. That's fantastic to hear how deeply integrated Toon Boom has been in your creative journey! Your sponsorship story is truly inspiring and underscores the power of sharing your work and engaging with the community. It's exciting to see how these connections on platforms like Instagram can lead to meaningful partnerships! Now, shifting focus to your content on LinkedIn, Patreon, Gumroad, and Instagram, people can see breakdowns of scenes you’ve created and get a behind-the-scenes look at your animation process. What’s the story behind these kinds of posts, and what benefits do you think viewers gain from accessing these animation files? I’m in the process of creating my own community of people on Patreon, and my goal is just to put outhere the things I’ve learned over all those years in the animation industry. Back when I started, there wasn’t much info out there, specially in Brazil, so all I want is to provide what I wish I could have had access to when I was first trying to learn this thing, and of course, the more people support me there, that allows me to dedicate more and more time to sharing that knowledge. Something I used to do while learning animation, was to download old Disney pencil tests from places like DejaView (Andreas Deja’s blog), I would then import into Toon Boom as vector, meaning, I would import only the drawings with no BG (another great feature in Toon Boom), and that would allow me to re inbetween those shots, and try to learn from how the old masters would animate. By having access to actual animation files, you just skip all the time I used to spend trying to find images with good quality, that had the full performance from start to end, and that also didn’t cut off the timecharts, which at the end I also had at times to align them to make sure each frame was in the correct position. If you have someone’s animation file, you can just go ahead and isolate the keys, read the timecharts and do those studies with no headaches. That's such a noble goal and a super creative idea, Felipe! Building a community and providing access to the kind of information you wished you had starting out is truly impactful. Now, reflecting on your extensive experience, what key skills or techniques would you recommend aspiring traditional animators focus on developing? If you’re in the traditional side of the industry, drawing, drawing, drawing. Polish your drawing skills, learn how to draw characters that feel solid (muscles and bones that feel connected). Watch lots of movies, not just animation, get inspired by great performances, no matter where they come from. And go out and live a little, it’s hard to replicate life when you don’t experience life yourself. What advice would you offer to individuals who are just starting out in the animation industry? Be patient, communicate well, and share what you learn. If you wait too much or are afraid to ask questions, you’re only robbing yourself from learning. Also, the more you share, the more people will feel like sharing with you, and remember, animation is a team sport, and when everybody grows together, you also grow faster. An extra advice, be kind with people, animation is fun but also a really hard thing to do, nothing can be more helpful to someone struggling than being treated with kindness, and remember, we all WILL struggle at times, so spreading that kindness around can eventually come back to you when you need it. Your advice is not only practical but also deeply insightful for anyone entering the animation industry and a valuable reminder for those already in it. It's like discovering beautifully shaped diamonds! Thank you so much for sharing. Now, as we all encounter challenges in our careers, could you share a particularly difficult experience you've faced and how you navigated through it? The biggest challenge I’ve ever faced in my profession was being led by unkind, toxic people, who treated me and my team with anger and unfairness. It doesn’t happen a lot, but if it does, it can really drain your love for the craft. At the time, I didn’t know how to navigate through it, and it made a really big impact on me. I almost quit the industry altogether. What helped me after the fact, was surround myself with good people, and to remember that my work is not all I am, and there’s more to life than that, but most important, it made me appreciate the people who truly work as a team, and it made me work harder to create a healthy dynamic between me and everybody I work with, and to speak up when I see people being treated unfairly. "101 Dalmatian Street - Disney Channel" We truly appreciate your openness in sharing such a profound experience, Felipe. Navigating through challenges like that demands immense resilience and a strong sense of self-awareness. There are surely many who can sympathize with the difficult experiences you've faced, and your insights will undoubtedly bring light and hope to those who have encountered similar challenges in their careers. Now, as we strive to spread positivity and inspiration through our work, we believe in the power of each individual's voice to make a difference! Felipe, the stage is yours to illuminate the world with your message of positivity. What would you like to say? We only have one life, and it’s waaaay shorter then we all think it is. Use your time well, surround yourself with people that make your life better. Be kind and do what you love, and share as much as you can because we all could use the extra help =) Beautiful! And finally, what exciting projects or endeavors can we look forward to from you in the future? I’m just excited to have a space to share my work, and super appreciative to the fact people are enjoying it and supporting me. I hope I can make a lot more great fun animation, and get to work with more incredible artists. I would like to invite people who like my work to support me on Patreon, I’m hoping that this could allow me to produce my own short films in the future. Felipe, thank you so much for sharing your invaluable insights and experiences with us. Your journey and the wisdom you've imparted are truly inspiring. We greatly appreciate your time and willingness to collaborate! Your contributions not only enlighten us but also serve as a beacon of hope and guidance for animators and professionals in Brazil and all over the world! We hope for great success in your future projects, in building your community on Patreon, and in the creation of your own short film as you've mentioned. Thank you for being a part of this conversation and for illuminating our path with your positivity and expertise. We wish you all the best! "The Day the Earth Blew Up - A Looney Tunes Movie - Coming soon" Email for commissions or contact: felipealmeida2d@gmail.com You can also find Felipe Almeida on social media such as : (Links) Instagram | Patreon | Felipe Almeida Animation Files - Toon Boom harmony Files Love the Interview? Let us know on the comments! Think you have something to share? Want to be featured on Four4BIT Animation Studio's Creative Spotlight? Submit for an interview right: Here And... For more exclusive interviews, news, and basically If you like our content and want to see more, don't forget to follow us on Social Media! Facebook | Instagram | Twitter X | YouTube

Four4BIT Animation Studio is thrilled to debut the first post of the 'Four4BIT Creative Spotlight' with a remarkable talent, Alex Blain! If you've scrolled through Instagram or Twitter, it's likely you've stumbled upon his breathtakingly brilliant work! Alex, a versatile artist, is making waves in animation, music, and children's books with his extraordinary skills. Today, he joins us to share insights into his creative journey, answer burning questions, and inspire us all with his message! Hey Alex! Your work is incredible! Could you share with us what initially ignited your passion for animation as a career, and how did you get started in the industry? Hi there! I really appreciate your kind words; they mean a lot to me, and I'm thrilled that you enjoy my work. One of my fondest childhood memories is watching "My Neighbor Totoro," directed by Miyazaki for Studio Ghibli. The film transported me to a magical world, captivating me with its colorful style and animation. As I grew older, my passion for animated films only intensified. I decided to pursue a career in this field and directed my studies accordingly, focusing on computer graphic animation (3D) while also dedicating my evenings and weekends to honing my drawing skills. After completing my education, finding a job proved challenging. I eventually accepted a position in character modeling, using it as an opportunity to build a strong 2D animation portfolio during my personal time. Although I faced some struggles breaking into the 2D animation industry, I'm now grateful to work as a director in this field. My next significant goal is to produce my own short film and eventually transition to working on a feature-length project. Wow! This is truly inspiring! Can you share with us one of your favorite projects you've worked on and what made it so special or memorable for you? One project that I'm particularly proud of is "Hypercharge" for Supercell’s Brawl Stars game, which I directed alongside Sun Creature for the trailer. Working on this project was a fulfilling experience for me because it marked my first time directing, contributing to the writing, storyboarding, composing music, providing some art direction, and handling animation. I was fortunate to collaborate with an exceptional team comprising many talented individuals. It was truly rewarding to engage in the creative process alongside such skilled professionals and to have the opportunity to develop 2D animation from scratch. For me, this project represented a significant accomplishment, as I had long harbored aspirations of working as a 2D animation director. Moreover, the positive reception from the audience was incredibly gratifying—it's always fulfilling to receive such feedback. "Hypercharge - Supercell’s Brawl Stars game" It's amazing to hear how you took on these various roles and collaborated with such a talented team to bring this project to this extraordinary result! Alex, your passion for developing 2D animated projects is truly inspiring! Now, moving on to your projects, we're intrigued by your process in creating the original short film 'Boubou' and the magical world it explores. Could you share with us what this project is about? Thank you! I initially embarked on the "Boubou" project with the aim of demonstrating my ability to direct a project from its inception. So, I began by writing the screenplay for the short film, creating storyboards, developing concept art, and so forth. I submitted the project to the CNC (Centre national du cinéma), and they provided some funding to support its development. The story revolves around a young girl named "Boubou" who undergoes a transformation examination. While she transforms flawlessly, a dispute arises among the professors regarding her eligibility for admission to the academy. Currently, I am immersed in the animation process. I have recorded the voices with the participation of all my family members, and I am diligently working to bring the project to completion. Fortunately, my good friend Romain Recher is assisting me in securing additional funding to ensure the project's successful completion. 2D animation is indeed a fantastic medium, but it undeniably entails complexity and demands a substantial amount of time and effort! "Boubou Short Movie Kickstarter Trailer" It sounds fascinating! The involvement of the whole family adds such a unique touch to the project. Please, we would love to hear more about the creative process behind bringing this enchanting story to life! I always begin by sketching rough ideas on paper. Once I have identified key moments and developed a narrative, I start writing the project. Using this written outline, I transition to TvPaint to create a storyboard. After refining the storyboard to my satisfaction, I proceed to produce an animated version to establish the timing of the project. In parallel, I conduct further research on color to define the visual aesthetic. Next, I export all the shots and commence work on the rough animation, followed by refining the details in the tie-down animation stage. Once the line work is cleaned up, my talented wife Lucie Blain applies colors to each frame. Subsequently, I focus on painting the backgrounds and animating shadows. Following this, we move on to the compositing stage, where we integrate the elements onto a timeline alongside the voiceovers, sound effects, and music. As you can see, there are numerous steps involved in the process! The level of detail and dedication in your creative process is truly remarkable! It's inspiring to witness how each step contributes to the final enchanting result. And it leads us onto the next question, facing challenges in your career, especially in making a 2D animated project on your own, must have been quite daunting. Can you share a particularly challenging experience you've encountered and how you navigated through it? The most challenging aspect is completing the project. With my current workload, I only have limited time to dedicate to the short film. Initially, I was thrilled to work on it whenever I had a spare moment, but now it's becoming more challenging. I have so many new ideas and stories I want to share with the world, but I must prioritize finishing this project before starting anything new. There's still a lot of work ahead, but despite the challenges, I remain passionate about it. The main obstacle is finding enough time to animate the shots. That's a real challenge, and facing it indeed requires patience and motivation! Regarding your other involvements, we also noticed you're taking a major part in writing children's books and pursuing a career as a professional composer for animated projects! Could you share how these projects fit into your creative journey? Additionally, how do you stay creatively inspired and motivated in your work? Yes, one of my challenges is that I'm interested in many things! I enjoy writing, composing music, and much more. I believe that exploring new areas presents a great opportunity to enhance the skills you already possess. For instance, my experience with music has taught me about rhythm. When creating a piece of music, there needs to be a balance of repetition and novelty. Repetition helps the audience grasp the melody, but too much can lead to boredom. It's about finding the right balance between familiarity and surprise, which applies to animation and storytelling as well. The same concept applies to children's books. With limited pages, we need to craft a story that engages both young children and their parents. It must be simple enough for the child to enjoy yet still interesting for the parent. If the parent dislikes the story or finds it too simplistic, they're unlikely to revisit the book. This principle also holds true for animation. Every discipline, despite its differences, contributes to improving skills in other areas. As for inspiration, I try to diversify my daily activities. I start with some work on children's books or manga, then switch to animation. I take breaks for activities like running and also spend time on music composition. This variety ensures that I'm never bored, as I'm regularly engaged in something new. Additionally, I believe that creativity is like a muscle—it grows stronger with practice. The more you exercise it, the easier it becomes to tap into your creative abilities. Practice is key. "Alex Blain : Fais Attention à Toi Grenouillette - Trailer" We LOVE the way you think! It's smart and beautiful how you manage to balance everything! And as we know, creativity is key in animation. What advice would you give to someone just starting out in the animation industry? I believe I can offer two pieces of advice. Firstly, immerse yourself in the works of others—read books, watch movies, and explore creative endeavors from both the past and the present. Your mind should serve as a repository of inspiration, like a vast library. Secondly, actively engage in creative practice. This can take the form of working on projects such as children's books, short films, or illustrations. The goal is to captivate your audience and leave them intrigued by your work. Continuously strive to surprise them and evolve creatively. While it may sound straightforward, it's undoubtedly a challenging endeavor—one that requires a lifetime of dedication. In two words, Super inspiring! Reflecting on your great experience, what are some key skills or techniques that aspiring animators and artists should focus on developing? Today, it's easy to recognize the high-quality work produced by studio professionals. To stand out, you must match this level of excellence and actively share your work. Utilize platforms like Instagram and create a demo reel to showcase your talents. It's crucial to establish your presence in the industry and demonstrate your dedication to potential employers. Additionally, be receptive to feedback and embrace opportunities to learn and grow. While receiving criticism may be challenging, set aside your ego, listen to the feedback, and use it as a tool for improvement. This willingness to learn and adapt will benefit not only your career but also your personal development. "Artwork from the short movie Boubou by Alex Blain" Absolutely true words, and very wise. As we strive to spread positivity and inspiration through our work, we believe in the power of each individual's voice to make a difference! Alex, the stage is yours to illuminate the world with your message of positivity. What would you like to say? You're completely correct, and I appreciate you sharing this message! Life is undeniably beautiful, and it's up to us to determine its level of beauty. Learning to collaborate and embracing self-love are essential steps towards being able to freely love others. That's incredibly significant! We truly appreciate you for sharing your message with us and our readers, it means a lot! Finally, what exciting projects or endeavors can we look forward to from you in the future? Firstly, I'm focused on completing the Boubou short film! After that, I'm working on a manga called "Le Royaume du Roisson." ( It's a story I envision becoming a feature film in the future. However, the manga will serve as a platform to develop the story, characters, and creative universe. I have a deep passion for 2D animation, and I genuinely hope to have the chance to tell compelling stories in the future and share them with audiences! Thank you for the interview! It's truly incredible to hear about your upcoming projects! Alex, we wish you all the best as you embark on completing the Boubou short film and delve into the creation of 'Le Royaume du Roisson.' Your passion for 2D animation and storytelling is evident, and we can't wait to see the creative worlds you'll bring to life!! Thank you so much for taking the time to share your insights and experiences with us and our readers. Your journey is inspiring, and we're grateful to have had you here for this interview. Thank you once again, and we eagerly anticipate witnessing your future successes! "Artwork from the short movie Boubou by Alex Blain" Links for Alex's Books: Fais Attention à Toi Grenouillette | Alphonse Le Petit Nuage | Papoum Email for commissions or contact: alexblain.contact@gmail.com You can also find Alex Blain on social media such as : (Links) Twitter X | Instagram | Patreon Love the Interview? Let us know on the comments! Think you have something to share? Want to be featured on Four4BIT Animation Studio's Creative Spotlight? Submit for an interview right: Here And... For more exclusive interviews, news, and basically If you like our content and want to see more, don't forget to follow us on Social Media! Facebook | Instagram | Twitter X | YouTube

Four4BIT Animation Studio is thrilled to present our latest 'Four4BIT Creative Spotlight' featuring the incredibly talented Concept Artist and Character Designer Anat Oz! With five years of experience and collaborations with top companies like The Jim Henson Company, Giant Animation, The Hive Studio and the list goes on, Anat's work continues to captivate and inspire. Today, she shares her creative journey, the personal challenges that shaped her path, and insights into her artistic process! Hey Anat! We're thrilled to have you join us for this interview! It’s a pleasure to reconnect, especially after your outstanding work as a Character Designer on our project "VorteX"! Now, we have the exciting opportunity to explore your remarkable journey in the animation world. Thank you for being here! Anat, with five years in the industry, your achievements are seriously noteworthy! We're thrilled to learn more! What motivated you to pursue a career in animation and how did get started in the industry? Hi! Thank you so much for reaching out to me for an interview. I am truly honored and grateful to hear that you appreciate my work. It means a lot to me, and I'm excited about the opportunity to discuss it further with you. As a child, I was always captivated by cartoons. I've spent so many hours watching my favorite Disney movies over and over. I remember “borrowing” (permanently) The Little Mermaid from my cousin, for me it was like pure magic. I used to grab some papers from my dad’s office to doodle my favorite cartoon characters such as ‘Alfred Jodocus Kwak’, ‘Samurai Pizza Cats’, ‘Dennis The Menace’ and ‘Inspector Gadget’ and all the classic animation series that were broadcast on TV at the time, and later on, I fell in love with ‘Dragon Ball Z’ and used to sketch its beloved characters. As a student, I would sit quietly and draw during all school hours and children would ask me to draw them. so it was always a significant part of my life. Once I discovered that animation and character design could be a profession, I enrolled in Tel-Hai College near Metulla, Israel. After an intensive three-and-a-half-year program, I earned my associate degree in animation and film. I dedicated an entire year at home to working on my final film for the degree, an incredibly challenging and rewarding experience! However, my time in school brought me to the conclusion that I am less interested in making animation but more in creating art for animation. I appreciate to no end the patience of the people who are able to create animation, for me it is simply amazing. After graduation, I lacked clear direction, but I reached out to professionals in the Israeli art industry, attended illustration sessions, and diligently honed my artistic skills at home. These experiences formed the bedrock of my career as an artist. I began as a freelance concept artist for game companies and later expanded my collaborations to include animation studios, creating commercials and music videos. Wow, Anat! Your willpower and determination to engage in the field are truly inspiring. Considering that concept and character design seem to come naturally to you, it's amazing to discover that it wasn't so clear to you from the beginning. Your journey shows incredible perseverance and passion. It's truly amazing! How did your experience in the animation industry align with your expectations? The answer varies significantly depending on the project and workplace. In some instances, my experiences fell short of my expectations. However, I was fortunate to be involved in several exciting projects that exceeded my hopes. These opportunities allowed me to meet and collaborate with some of the most talented and kind individuals in the industry, making the journey both enjoyable and rewarding. "Artwork from the upcoming series - Gizmo Girls - (Anat Oz)" It sounds like you've had a diverse range of experiences, and now, it must be very exciting to find a workspace that meets your expectations! Would you mind sharing some of your favorite collaborations or projects you've worked on and what made them so special or memorable for you? Working for Giant Animation in Ireland holds a special place in my heart, as it marked my first experience working on a large-scale project with a team of incredibly talented artists from around the world. Collaborating daily to create art was truly delightful, and meeting my colleagues in person at the studio on Halloween added an extra layer of joy to the experience. I am incredibly fortunate that the team at Giant placed their trust in me and welcomed me aboard to collaborate with them. I am endlessly grateful! I'm excited to share that I can release my artwork after November, coinciding with the premiere of the "Evergreen Hills" series! Before joining Giant Animation, I was approached by Anne-Marie Asner, Co-Founder of Animation Israel organization and Founder of ‘Matzah Ball Books’, with an incredible opportunity to collaborate with The Jim Henson Company. She invited me to design characters for an upcoming series they were producing, “Gizmo Girls”. Thrilled by the prestigious offer, I eagerly began working on the project immediately! Working alongside Anne-Marie is an absolute delight. Her warm demeanor, coupled with her genuine kindness and boundless energy, elevates the entire experience to something truly exceptional. I wholeheartedly endorse collaborating with her, as it promises to be a memorable and fulfilling journey. (Still waiting for the sushi!) Among my experiences with Henson and Giant, it was an honor to collaborate with Elad (Four4BIT Animation Studio) on a special project he initiated, "VorteX!". I cannot emphasize enough how delightful he is; truly one of the kindest individuals I've encountered in this industry. He is endlessly supportive and always ready to lend a hand when needed. Working with him is an absolute pleasure! Prior to joining Anne-Marie, I served as a Lineart background designer at The Hive Studio, contributing to Adam Yaniv's series 'Summer Memories'. Engaging in the production process proved both challenging and fulfilling, playing a pivotal role in my professional development. What made this experience truly memorable was my profound connection to the series' narrative and humor. 'Summer Memories' is not just a series; it's a journey worth embarking on, promising moments of laughter, nostalgia, and heartfelt emotion. "Summer Memories - Trailer - Created by Adam Yaniv - The Hive Studio" Wow! It's truly heartwarming to hear about your wonderful experiences and meaningful collaborations. We're super excited to see the "Evergreen Hills" and Gizmo Girls series when they premiere! And your work on "Summer Memories" sounds profoundly impactful! Also, thank you for your kind words! It was truly a pleasure working with you on 'VorteX' series! The pleasure was all ours, and your kind words mean so much to us and to me personally. Your talent and dedication to the role were evident throughout the project, the result is stunning, and we can't wait to work together again in the future! Now, reflecting on your extensive experience and insightful perspective, what are some key skills or techniques that aspiring character designers or artists aiming to the animation industry should focus on developing? As an artist, your goal goes beyond character design; it involves capturing the essence of life through careful observation and understanding. Experimentation is key; while mastering one style is good, being versatile is essential for meeting industry demands. Stepping out of your comfort zone helps you grow and thrive in various artistic styles. As character designers, you'll often need to create sketches in different styles during the early stages of production to discover the project's style. This requires a broad knowledge of many styles. Studying ‘Anatomy’ (of humans and animals) is also recommended to design characters that feel accurate and convincing in any style. Even the most cartoonish styles are based on real life, so it's important to be aware of that. One of the key things a good character designer needs to know is how to create a character turnaround. I myself struggle with this, and don't always succeed. The level of precision varies depending on the production; in 2D animation, it's possible to make minor adjustments to maximize appeal, but in CG production, there's no room for such changes. Knowing how to give and receive criticism! It's so important in our industry. Ultimately, everyone works as a team to produce the best work possible, so knowing how to give and receive criticism is crucial. Furthermore, knowing how to be a team player who communicates positively, pleasantly, and professionally not only contributes to the overall atmosphere but also helps to get the best out of the project. We're all human, so it's important to behave kindly and considerately. Thanks for sharing such valuable advices! It's very deep, precise and comprehensive! Regarding that, what keeps you creatively inspired and motivated in your work? How do you stay creatively inspired and motivated in your work? What keeps me inspired in my work is discovering art that excites me! Searching for references is a crucial part of the process, often leading to new ideas. Doodling also plays a significant role; letting go of perfectionism and simply drawing whatever comes to mind can be random, but it’s an effective way to overcome the infamous 'art block'. Taking courses from artists I admire fills me with motivation. I always feel there's so much to learn, and it's rewarding to look back after a while and see the progress. Some of the courses I've taken recently include "Captivating and Dynamic Character Creation" by Jackie Droujko - and right now, I'm enrolled in "The Silver Drawing Academy" by Stephen Silver. Taking breaks is essential to keep things fresh and also prevents burnouts. Experiencing life, seeing the world, and having a nice chat with fellow artists always helps. "Dr. Jekyll & Mr. Hyde - An exercise from The Silver Drawing Academy" That sounds like a fantastic approach to staying creatively inspired and motivated! As we know, creativity is essential in roles like Character Design. Building on that, what advice would you give to someone just starting out as a Character Designer? I wish there were a guidebook for everyone finishing their studies and taking their first steps in their career - it would be incredibly helpful! I highly recommend networking: Simply reach out to professionals who specialize in character design for advice or feedback on your portfolio. This can be very beneficial both professionally and personally, so don’t be shy - send that message! Keep drawing constantly, and attend life drawing sessions at least once a week. Speaking from my own experience I saw a significant improvement in my drawing skills and understanding of anatomy during the times I attended (and yes, I should follow my own advice :) ). It's also a great opportunity to meet other artists, build connections, and enjoy the process. And I must emphasize the enjoyment part because if you don't enjoy the process, in my opinion, it's not worth it. Over time, you will gain experience, and it's okay to take your time and learn. You'll see that you will become much more confident in yourself. Additionally, when you feel like nothing is going right and you're exhausted, take a break. Meet up with friends who lift your spirits and have some fun. It's important to balance work and personal life; when this balance is disrupted, it can lead to intrusive thoughts and accumulated fatigue. Organizing structured working hours is crucial as it helps clear your mind and contributes to more orderly and effective work. And if you find yourself struggling and thinking you're not good enough, I can reassure you: once you set a goal and work towards it every day - such as becoming an outstanding designer - it will happen. It's just a matter of time and practice. Love the motivating vibes, and everything you mentioned is super important! Thank you for sharing with us! Now, drawing from your inspiring journey, we all encounter challenges in our careers. Can you share a particularly challenging experience you've encountered and how you navigated through it? Shortly after I started my career as an artist, unfortunately, my dad suffered a stroke, and in April 2019, he passed away. This event shook me in every way possible. The realization that my father passed away unexpectedly and prematurely knocked me off my feet and caused me great suffering. I remember that while he was hospitalized, I worked on a specific project from home, often working into the early hours of the morning, almost constantly. I felt like that was all I was capable of doing, yet at the same time, I also felt incapable. I was in a very sensitive and vulnerable state, and I cannot emphasize enough how important it is to have people around who truly love and support you during such difficult times — something I didn't had at all, unfortunately. The events and environment directly impacted my work and professional relationships. I couldn't always work, and people didn't always understand. I did what I could at the time, simply continued and let time do its thing. I held onto things that made me feel good, even if they were few. The inner knowing that my dad was always proud of me and my work sustained me for a long time. I remember that as a child, he proudly displayed my scribbled drawings in his office. They weren't particularly successful, but in his eyes, they were the best there was. I especially remember a drawing of a pink bunny that hung directly above his computer screen. He always believed in me, and even when there wasn't much money, he still supported me with my education at Tel-Hai. Even if this event didn't necessarily happen within a work context, it definitely influenced and taught me a lot about life. Today, I understand much more the importance of taking care of yourself and, if necessary, taking breaks. While it's worthwhile, it's not always possible to separate personal life from work. We are all humans and greatly influenced by our surroundings, and we need to take that into account. Therefore, I emphasize that it's incredibly important to be kind to others. We can't know what they're going through in their personal lives. It also feels much better when we conduct ourselves in a pleasant and respectful manner. First of all, we're sorry for your loss. What you've shared is a truly powerful message and a reminder to be more tolerant and sensitive to our environment, to lend a hand, or even just a kind word to somebody, to listen to them, because sometimes, as humans, we focus solely on fulfilling a 'mission', and unfortunately, we tend to forget that we are dealing with souls. Thank you so much for sharing this with us and our readers. We know it's not an easy thing to do, but we also believe that by sharing, it's a huge mission in itself, for you and for others who can be influenced by it! We appreciate that very much! Speaking about influence, as we strive to spread positivity and inspiration through our work, we believe in the power of each individual's voice to make a difference! Anat, the stage is yours to illuminate the world with your message of positivity. What would you like to say? I find it truly remarkable and I'm immensely grateful to you for this exceptional chance to spread light and positivity, especially during these times. It's crucial to always remember, regardless of the circumstances, that there is abundant love in the world; we just need to know where to look. Be kind to yourselves and to others. A simple smile or a kind word has the power to create a significant impact. That's an amazing message! Thank you for sharing it with us! And finally, what exciting projects or endeavors can we look forward to from you in the future? I'm eager to work on an awesome animation series or movie! Currently, I'm available for offers, so let's get started! :) Anat, thank you immensely for sharing your journey, insights, and positive energy with us in such an open and inspiring way! Your resilience, talent, and kindness shine through in everything you do, motivating us all to reach for our dreams and spread positivity! As you embark on new adventures in animation, know that your light brightens the world around you. We eagerly await the premieres of "Evergreen Hills" and Gizmo Girls, as well as the magic you'll create in your future projects. Keep shining, and thank you for being such an incredible inspiration to us all! To anyone reading this, we wholeheartedly recommend Anat for any creative project - her dedication, skill, and passion are truly unmatched! "Artwork from the upcoming series - Gizmo Girls - (Anat Oz)" Anat Oz - Related Links: Website | IMDb Email for commissions or contact: anatozzzzzz@gmail.com You can also find Anat Oz on social media such as : (Links) Instagram | Linkedin Love the Interview? Let us know on the comments! Think you have something to share? Want to be featured on Four4BIT Animation Studio's Creative Spotlight? Submit for an interview right: Here And... For more exclusive interviews, news, and basically If you like our content and want to see more, don't forget to follow us on Social Media! Facebook | Instagram | Twitter X | YouTube

Today, we are thrilled to introduce Reut Abrany, an exceptional Creative Director and Animated Content Creator with an impressive career spanning over 15 years. A graduate of the prestigious Bezalel Academy of Arts and Design in Jerusalem, Reut has led teams of talented artists and animators to deliver top-quality content across various projects, including TV series, animated features, video games, music videos, commercials, and more. Balancing her successful career with being a dedicated mother of five, Reut speaks candidly about the challenges of managing time and priorities without compromising on either. Let's dive into Reut's extraordinary journey and glean insights from her extensive experience in the animation industry! Hey Reut! We're so excited to have you join us for this interview! It’s a pleasure to reconnect, especially after being captivated by your animation skills in the early stages of developing our original series "VorteX"! Now, we have the exciting opportunity to delve deeper into your incredible journey in the animation world. Thanks a ton for being here! Reut, your career journey is truly spectacular! With fifteen years in the industry, including producing and directing 'Imagine', a full 50-minute animated movie about the legendary Israeli singer, Shlomo Artzi, and "Tziptziponet," a 40-minute animated movie featuring iconic children's songs by the legendary Israeli actress and comedian Tzipi Shavit. Alongside your work as a storyboard artist for the 'CoComelon' TV series and collaborations with major companies like Netflix and Disney Channel, your achievements are seriously impressive! We're eager to hear more! Now, let's delve into the beginnings of your journey. What lit the fire under you to dive headfirst into this crazy, colorful world of animation, and how did you get started in the industry? Thanks for the warm welcome! I'm happy to be here. As far as I can remember, I've always been drawing, ever since I was a child. I would doodle endlessly, sketching in class, and before bed, almost as a form of therapy. But I didn't just love the drawing itself; I was also drawn to the magic of movement, to the cinematic storytelling. I felt that my drawings couldn't stand still, and even at a young age, I felt the urge to tell stories through flowing lines and dynamic compositions. As a child, I watched Disney movies over and over, enthralled by the magic that unfolded on the screen. I want to share a relevant anecdote from my high school art final project. While my classmates presented traditional mediums like oil paintings and sculptures, I decided to submit an animated short. My choice raised a few eyebrows, but my determination, coupled with the department head's unwavering support, proved to be a winning combination... I found myself, a high school student, traveling to Bezalel Academy three times a week, hanging out with animation students, drawing on a light table, and working on my project. I remember everyone there called me 'The Kid' and was very amused by my presence. It was during this experience that I cemented my dream of studying Animation at Bezalel. " Zack & Quack Promo - role: Animator" Upon graduation, I was very fortunate and quickly integrated into the industry. Although I specialized in classical animation, I was hired as a 3D animator in one of the largest and most professional studios in the country at the time - Crew 972. While my knowledge of 3D animation was limited, the talented Alex Orel, who led the studio, believed in me and gave me the chance to learn and specialize in 3D animation on the job. This hands-on experience provided a smooth entry into the industry and led me to work alongside some of the top animators and art directors! Today, when I advise graduates on how to advance in their careers, I always recommend seeking out a studio or workplace that offers comprehensive industry immersion. However, the Israeli animation industry presents a unique challenge for aspiring artists. Relatively small with a limited number of established studios, finding that crucial first step can be a significant hurdle for recent graduates. " Tziptziponet Promo - Produced and Directed by Reut Abrany - Link for the full Movie" It sounds so special right from the beginning, and the way you've expressed it is so passionate and magical. However, we can understand the challenges of the industry in Israel. Could you now share with us one of your favorite or most memorable projects that you've worked on? I've had the privilege of working on many exciting and challenging projects throughout my career. The beauty of this field lies in its diversity, with each project presenting its unique set of challenges and opportunities for growth. Even after nearly two decades in the industry, I still gravitate toward projects that push me beyond my comfort zone and demand fresh approaches. These projects require not just artistic and directorial skills, but also a deep connection to the content. A prime example is "Imagine" a 50-minute animated film I created and was deeply involved in. This project, and others like it, stemmed from my desire for high-quality content for my children. I found existing animated music videos lacked the authenticity of the original artists. I wanted them to experience Israel's musical heritage firsthand. Fueled by this passion for creating projects that preserve classics and introduce young audiences to our legendary artists, I established an animation department at NMC United Entertainment, an Israeli record label. This enabled me to create more musical films. "Imagine” is an animated film based on Shlomo Artzi's songs, narrated by the artist himself. Completing it after three years was a truly rewarding experience! I wore many hats during the process: co-producer, co-director with Yuval Gidron, concept art, storyboard, design, and animation. I had a dedicated team of talented designers and two animators who assisted me at various stages, and to this day, I believe it was my most ambitious and challenging project yet. This was my first time managing a large budget, a complex schedule, and a team that needed to be guided and directed through the intricacies of a mini-feature production. " 'Imagine' - Shlomo Artzi - Executive Producer Reut Abrany " It's amazing and so inspiring! Your initiative at NMC and the creation of "Imagine" are truly commendable! Projects like these underscore the importance of taking action when necessary and emphasize the significance of such endeavors. We would love to hear some insights into the creative process behind it! "Imagine" is a musical coming-of-age story that, although featuring real and well-known characters (Shlomo Artzi and his band), presents a fictional plot. We wanted to tell a story about music, youth, and an Israeli summer. Our primary challenge was to find a story that could incorporate Shlomo Artzi's songs, which are tailored to an adult audience, while also crafting a narrative that would resonate with children, captivate them, and provide added value beyond just introducing them to the songs. We began by selecting songs from Shlomo's extensive repertoire and then developed the plot into a journey about friendship and collaborative creativity. Each song advanced the storyline, adding a layer of complexity to the characters and the narrative. The film's eclectic soundtrack, spanning Artzi's career, presented a unique challenge in maintaining artistic cohesion while preserving the individuality of each song. One creative solution was to adopt a 1960s comic book style for a particular music video, reflecting the song's era and setting it apart from the rest of the film. Another key artistic decision was to utilize cool colors to represent the present and warm colors for the past, mirroring the narrative's back-and-forth structure. The film's climax seamlessly merged the two timelines in a live-action music video featuring both animated and real-world characters. Capturing the essence of 1960s Tel Aviv was very important to me. Hours were spent scouting locations and refining details to convey the city's warmth and Israeli spirit. Collaboration with illustrator Yaniv Shimoni resulted in a visual style that perfectly captured the desired atmosphere. Over the years, I've come to realize the truth in the proverb that the greater the challenge, the more profound the satisfaction that follows. Therefore, this project stands as one of the most significant in my career. " 'Imagine' Promo - Link for the full Movie" Valuable content is essential, especially when applied to animation as a mission rather than just entertainment! Your ability to overcome these challenges in a creative and wonderful way is evident in the seamless flow of the film. It seemed like there was extensive research involved; the result appears wonderful, showcasing the satisfaction and emotional depth you and your team put into this project. The film's climax is warming and touching the heart! Thank you for sharing this wonderful insight with us. And speaking of challenges, could you now share a challenging experience you have faced, and how you overcame it? As an independent artist, I've encountered numerous challenges throughout my career, many of which are common among freelancers and creatives. These challenges primarily revolve around business management, particularly budgeting and time management. As a mother of five, I faced the additional challenge of balancing motherhood with my career. Juggling these two demanding roles often required immense strength and resilience. Another challenge, since I have been working from my home studio for many years, is professional isolation. I will try to write briefly about the things that have helped me with each of the challenges above. The solution to budgeting issues is experience, experience, and more experience. There's almost no way around making mistakes and then refining your approach. Over time, you learn your own work pace, your strengths, and where you might get stuck and waste resources. I’ve learned to identify problematic clients, say no to less suitable or profitable projects, estimate the amount of work more accurately, and refine my processes. Effective time management is a critical skill for freelance and studio owners alike. freelance workloads can fluctuate significantly, ranging from juggling multiple projects concurrently to periods with minimal work. Proper time management requires a lot of mental work and iron willpower. I suggest investing in understanding your daily routine, tracking your most effective hours, and identifying when you’re less focused. This way, you can better allocate your work style – perhaps saving technical tasks for times when you lack mental energy, and reserving creative tasks requiring high concentration for your peak hours. Now, I will recommend something that even after 20 years I still struggle to implement myself: maintaining regular and continuous sleep hours. Proper sleep is not a luxury; it is essential for mental and physical health, a key to creativity, and vitality during work hours. On the occasions when I manage to maintain this, I notice an improvement in all my abilities. lack of sleeping hours.. Well that leads me straight to the challenge of balancing motherhood with a career. Motherhood has always been my top priority. I fiercely desired to be a present, involved mother for my children. and still my work was also a crucial ingredient in my happiness and sense of self-worth. So, from a young age, I knew I had to find a way to make both work. The delicate balance between family and career has been a constant theme throughout my life. What helps me approach this balance with peace rather than struggle has been the awareness of my choices. To understand that It's not about having the "Right" answer, It's about being clear on what truly matters to me. This self-awareness empowers me to look back without regrets, focusing on the gains from my decisions rather than dwelling on what I might have missed. Regarding professional isolation, I highly recommend finding companions along the way. Even if you don’t work in a shared studio, you can create a good professional circle of friends. Over the years, I’ve formed friendships I trust, and when I have projects, they are the first to receive an invitation to join. Be generous and kind to your colleagues. Pass along opportunities you can’t take, help with good advice, or collaborate when possible. Other good options include attending drawing meetups, taking various courses, joining the animation association in your country, and being an active part of the animation community. Reut, your answer is truly insightful, recognizing the depth and relevance of each challenge and solution you shared. It's evident that these experiences resonate deeply with many independent artists, freelancers, and creatives. Your practical advice is pure gold for a lot of people. We appreciate and are very grateful for the wealth of insights you've shared, which will undoubtedly benefit others as much as they have benefited us. Now, considering your extensive experience in these areas, particularly team leadership, collaboration, and project management, what guidance or tips would you give to aspiring animators who are embarking on their journey in the Animation Industry for working in a team, particularly those keen on directing and animating? First and foremost, good communication is a golden key – interpersonal skills, kindness, camaraderie, and a proactive attitude. People are looking for partners on their journey, especially in a creative process. Designers and animators who join the team and bring not only their talent but also their insights and thoughtfulness are the ones I choose to move forward with. One of the first things I look for when building a team, after assessing artistic fit, is the ability to handle criticism. The openness with which feedback is received shows me whether the person is willing to learn and grow or is rigid and clinging to their existing knowledge. Therefore, one of my recommendations for anyone working in a team is to approach it with an open mind, and with a keen desire to learn. Show interest in all aspects of the project and, most importantly, own your mistakes. Credibility and responsibility are crucial keys to successful teamwork " 'Tziptziponet' - Link for the full movie " Certainly, we appreciate your emphasis on the importance of communication and a receptive mindset within a team environment, and we agree with every word you have just said. It's a very healthy mindset and approach. Now, looking ahead, what are some key skills or techniques that aspiring animators should focus on developing to succeed in the industry? I've always been a strong advocate for continuous skill development and a holistic understanding of the creative process, rather than limiting oneself to a single niche. While there are trade-offs in terms of achieving deep expertise in every aspect, a comprehensive grasp of what constitutes a great film – from storytelling and filmmaking to the animation process itself – elevates the quality of every project you undertake. Storyboarding can be an excellent skill to acquire, as it encompasses several abilities that are always good to work on and improve, ranging from sketching to composition and directing. I also highly recommend staying abreast of technological advancements. Familiarity with various software and the ability to seamlessly switch between them is a significant advantage. Pay attention to AI, which is rapidly transforming the industry. Learn how to harness its power and avoid being left behind in this rapidly evolving field. Beautiful! And regarding Storyboarding, we're incredibly curious to hear about your experience working as a Storyboard Artist for THE CoComelon TV Series for Three Seasons! But before we dive into that, could you enlighten our readers on what is, the importance of storyboarding and how you perceive its role in the animation process? Sure, Gladly! Storyboarding holds a special place in my heart. I firmly believe that if a storyboard effectively evokes the desired emotions – laughter in humorous scenes, fear in dramatic moments, and tears at the right time – then the main challenge is behind you. The rest is merely technical execution. " 'Videoboard from the TV Show CoComelon - Reut Abrany Storyboard Artist" Storyboarding is an essential step in the animation process, serving as a visual roadmap for the entire film. It involves creating a sequence of illustrated panels that depict the key scenes, actions, compositions, and emotions of the story. While storyboards provide a static representation of the film, videoboards elevate this concept by adding motion and sound. I love to board directly on the timeline and work very closely with the voice track to get an early sense of the timing and flow of the story. The videoboard will serve as a rough version of the final film that helps animators and filmmakers to visualize the story, pacing, and overall tone of the film before committing to more detailed and time-consuming animation work. Amazing! We're very curious to ask you as a mother, how does it feel to know that millions of children are watching and growing up with this series in which you played a significant role in crafting? As both an individual and a mother, I am always thrilled to be involved in projects that are positive and meaningful. I vividly recall my childhood love for animated films, and it fills me with lots of joy to know that children are watching my creations and experiencing even a fraction of the same excitement and affection I felt as a child. From time to time, I receive heartwarming messages from parents about the clips or films I've produced. These messages are the most touching and rewarding for me. A child who struggles to fall asleep finds solace in a clip I created, or a family shares how my work inspired their children to sing almost-forgotten Israeli songs. These moments bring both joy and meaning to my work, fueling my drive to continue seeking out projects that are meaningful. "CoComelon Song Dance" Wow! It must be very fulfilling to receive these kind of messages, knowing the impact your work has on others and the motivation it brings for future projects. With that in mind, has the experience of motherhood influenced your decision-making process when it comes to accepting or declining projects? As mentioned earlier, my role as a mother has profoundly influenced the style of projects I choose to develop. I actively seek to create content that I feel is lacking in the world. On a lighter note, my children serve as my first audience for every project I undertake. They are my in-house development and research team, so to speak. Everything goes through its filters before I proceed with it. If they laugh in the right places, I know I've hit the mark. If they lose interest or struggle to engage with a particular part, I know I need to take it back to the drawing board. Love it, that's the best test in the field! Reut, how do you stay creatively inspired and motivated in your work? I make an effort to stay up-to-date on the work of my fellow artists, and I enjoy following various creators that I admire. I also try not to limit myself to the field of animation and I'm interested in other areas, such as literature, history, and current events. These diverse areas of interest often spark unexpected connections, igniting fresh ideas for my own work. Also, I've found that taking strategic breaks helps me overcome creative hurdles. Another thing that helps me is to create for myself from time to time. I find it refreshing to create without any pressure of deadlines. As we strive to spread positivity and inspiration through our work, we believe in the power of each individual's voice to make a difference! Reut, the stage is yours to illuminate the world with your message of positivity. What would you like to say? I really believe in what you've written, that everyone has a voice that impacts and makes a difference. I want to join in and add a final message to creators who are trying to find their way and are struggling along the way. Hold onto your uniqueness. Don't be afraid to be original or unconventional in your field. If you find something that bothers you or demands change, push forward with all your might. You have something to give, and the more you refine yourself, the more honest and authentic your work will be. May our creative endeavors spread love and kindness throughout the world, and may we rise to the occasion. That's a beautiful message! Thank you so much for sharing! And Lastly, we understand that you are open to commissions! Can you elaborate on how our readers can connect with you? And what exciting projects or endeavors can we look forward to from you in the future? I'm currently working on my second season as a storyboard artist on a historical animated series for youth. Alongside this, I'm working on a moving animated documentary, as well as a memorial music video for a soldier who fell on October 7th. Looking ahead, I aspire to continue creating interesting projects, with a focus on two personal projects I am developing—an animated series I'm writing and a budding GIF project. And, of course, I wish myself many hours of sleep at night! Thank you for this interview. I am deeply grateful for your interest in me and for the opportunity to share my thoughts with you. It's truly inspiring to hear about your ongoing and upcoming projects, Reut! Your dedication to storytelling and animation shines through your work. We wish you great success in your future projects, recognizing their importance to our society and your special contribution to the Israeli Animation Industry. Your aspirations to continue creating captivating projects, including your own animated series and GIF project, are both ambitious and inspiring. Thank you immensely for sharing your journey and insights with us. We're eager to see more of your future successes! Reut Abrany - Related Links: Website | IMDb | Showreel Email for commissions or contact: rabrany@gmail.com You can also find Reut Abrany on social media such as : (Links) Facebook| Instagram Credits: Imagine: Production: NMC. Entertainment Ltd. Executive Producer: Reut Abrany Directed by: Reut Abrany and Yuval Gidron Written by: Yuval Gidron Concept Art: Yaniv Shimoni and Reut Abrany Storyboard, Editing, and Lead Animator: Reut Abrany Additional Animators: Dana Darnov, April Peter Designers: Yaniv Shimoni, Dorin Shwartzman, Lee Dror, Yazniv Kawah, Reut Abrany TzipTziponet: Produced by: Reut Abrany and A. Dekel LtdDirected by: Reut Abrany Script: Yuval Gidron Animation: April Peter, Dana Darnov, Liron Chadad, Alva Mohar, Ronalee Israel, Reut abrany Design: Inbal Ohayon, Lee Dror, Dana Darnov, Ronalee Israel, Alva Mohar, April Peter, Elin Rose, Sapir Danan, Reut Abrany Zack & Quack Promo Credits: Executive Producer: Ronen Shani Art Director: Erez Gavish Creators: Gili Dolev and Evet Kaplan Screenwriters and Directors: Gili Dolev and Evet Kaplan Animators: Reut Abrany and Tom Dor Based on the award-winning short film "The Happy Duckling" by Gili Dolev Love the Interview? Let us know on the comments! Think you have something to share? Want to be featured on Four4BIT Animation Studio's Creative Spotlight? Submit for an interview right: Here And... For more exclusive interviews, news, and basically If you like our content and want to see more, don't forget to follow us on Social Media! Facebook | Instagram | Twitter X | YouTube

Exciting News: Introducing Four4BIT Creative Spotlight! Hey there, animation enthusiasts! We've got something big brewing in our creative corner, and we can't wait to share it with you! Introducing our latest addition to the website: Four4BIT Creative Spotlight, a dedicated space just for artists, influencers, and educators in the Comics and Animation industry! Get ready for a weekly dose of inspiration, laughter, and jaw-dropping artistry as we dive deep into all things comics and animation, interviewing professional and passionate artists to tell their stories, share advice, and spread their positive message to the world! YES! But here's the best part: we want YOU to be a part of it! If you're a professional artist, influencer, or educator bursting with creativity and eager to share your story and talent with the world—and to spread some positivity—then we've got a spot just for you(!!!). Click the link below to fill out the form and join us on this epic adventure. Let's make some magic together! Join the Fun and Fill Out the Form Now! Get ready to shine, spread some joy, and become a part of our vibrant community of animation enthusiasts. Together, we'll make waves and have a blast along the way! Link to Fill the form! Best, Four4BIT Animation Studio team

Exciting Announcement: Four4BIT Animation Studio Goes Social! We're thrilled to share that our studio is diving headfirst into the world of social media for the very first time! That's right, you can now catch us spreading creativity, positivity, and a whole lot of fun on platforms like Facebook, Instagram, Twitter X, and more! We're super pumped to connect with all of you in a whole new way! Expect to see behind-the-scenes peeks, exclusive updates, and plenty of awesome content that you won't find anywhere else! So, what are you waiting for? Come be a part of our adventure and let's spread some positivity together! Don't forget to hit that follow button and turn on notifications so you never miss a beat. We can't wait to share this incredible journey with you! Links:  Facebook Instagram Twitter X

Celebrating Education and Sharing Day with the Lubavitcher Rebbe Anniversary" "Imagine you could open your eyes to see only the good in every person, the positive in every circumstance, and the opportunity in every challenge." These words, spoken by Menachem Mendel Schneerson, affectionately known as the Lubavitcher Rebbe, echo with a timeless wisdom that transcends generations! "Education and Sharing day U.S.A" Join us on a journey back to 1978, a time when disco was king, bell-bottoms were in fashion, and the U.S. Congress made a decision that would change the course of history. President Jimmy Carter at the time, receives a request that's not your everyday memo... it's a special request to mark a special day on the calendar! But this isn't just any day... it's the birthday of a one-in-a-lifetime figure, the Lubavitcher Rebbe. Now, why would a birthday be so significant? Well, because this isn't an average birthday celebration. This is about recognizing a visionary who believed in shaping young minds and building character not less than being a book smart. Fast forward to today, and we're still mentioning Education and Sharing Day U.S.A, every year on the Rebbe's birthday according to the Jewish Callander. It's a day to honor the Lubavitcher Rebbe's legacy and the incredible impact he had on education worldwide. But here's the best part of that day: Education and Sharing Day isn't just about looking back to 1978; it's about looking forward. It's a reminder that education isn't just about filling heads with facts; it's about lighting a spark and igniting a passion for learning which leads our society to create leaders! So, as we mentioning this special day, let's take a deep dive into a droplet in the sea of some insights we've gleaned from the Lubavicher Rebbe and commit ourselves to building a brighter future for all. Think good, Speak good, Talent and its responsibilities: "Think good, and it will be good" The rebbe quoted his great great great grandfather (The "Tzemach Tzedek", The 3rd Rebbe of Chabad). Which means that we have the power to affect our own reality for the better with our positive thoughts. We might not be always control our circumstances but we can control our mindset! "Speak Good" The power of words, and the importance of using optimistic and clear language is another way we create our own reality. The Rebbe insisted on using language that expressed optimism rather than negativism. The most famous example is the Hebrew word for Hospital - which mean "Beit Cholim - בית חולים" which means, "The house of sick people", the Lubavitcher Rebbe said to change the name to "Beit Harefuah" - בית הרפואה - which means, The house healing. The reason for that, is the a person that goes to a Hospital, wants to heal! so why call it a negative word, if it is contradict the desired result. "Talented? Use it!" One action of any person can change the world for good or bad. Every actions counts. Every person counts. The Rebbe wrote a letter back to a teacher who wrote to him, telling him that not utilizing his talents to the fullest extent isn’t just his “personal business” but effects the entire world. Inspired by the timeless wisdom of the Lubavicher Rebbe, let us embrace the power of positivity, the impact of our words, and the responsibility to use our talents for the betterment of society. As we reflect on his teachings and celebrate Education and Sharing Day, let's commit ourselves to fostering a culture of optimism, kindness, and action. Together, let's create a brighter future where each individual's unique talents are cherished and utilized to make the world a better place for all.

"Unboxing Reality" In a world where the click of a button can bring a universe of entertainment and "infinite thrills" to our screens, a new trend has slowly sneaked in, captivating the minds and choices of our youngest generation. Welcome to the era of the "Mystery Box" - a phenomenon that's as intriguing as it is concerning, especially when we consider its impact on the decision-making of kids and youth. Let's start with a simple parable that was first brought in the book "Kohelet Rabbah" (Midrash) estimated to be written in 650–700 CE in the language of Aramic: "מַתְלָא אֲמַר טָבָא חֲדָא צִיפָּרָא כְּפוּתָא מִן מְאָה פָּרְחֲיָין" - "One bound bird is better than one hundred that are flying". This age-old wisdom underscores the value of certainty over the gamble of uncertainty. However, in today's digital landscape, this lesson seems overshadowed by the allure of mystery and the unknown's thrill. The "Mystery Box" trend, popularized by countless YouTube videos, presents viewers, especially children, with a tantalizing proposition: Choose a known quantity (like $100) or gamble on a mystery box that could contain items of far greater value. The catch? The box could also contain items of lesser value, or sometimes, practically nothing of worth. This is gambling in a new, digital guise, and it's reshaping how our children perceive risk, reward, and value. Recent research has shown that the average person makes about 35,000 decisions a day, and a staggering 85% of the global population grapples with low self-esteem. In this context, the choices presented by the "Mystery Box" are not just about the items inside; they're about the decisions we make and how they shape our self-worth and understanding of value. The trend's popularity is undeniable. Videos featuring these mystery boxes garner millions of views, with many viewers being impressionable children. The excitement and encouragement displayed by YouTubers opening or giving away these boxes are contagious, leading to a significant number of kids eventually purchasing their mystery boxes, hoping to strike it rich. But here's the catch: This trend is more than just a harmless game. It's a gateway to gambling, fostering a mindset where taking uncalculated risks is not only acceptable but exciting and the one who's choosing different is making a bad decision! It blurs the line between innocent fun and potentially harmful behavior which is very difficult to get rid of. The addictive nature of these mystery boxes cannot be understated, and the more children are exposed to them, the more normalized this behavior becomes. This trend should raise alarm bells about the values being imparted to our children through social networks. It promotes the idea of gaining money without effort, encouraging inaction and laziness. It begs the question: If there's no difference between going to a casino and buying a mystery box, why is one perceived as more acceptable than the other? At Four4BIT Animation Studio, we recognize the challenges we face. We understand that we might not have control over all the content our children are exposed to. However, we are committed to providing content that adds real value. Our mission is not to stop this trend... there is a very known rule, when something is uploaded to the Internet, there is no way back... However, with the right content that includes our core values, we can empower individuals with tools for understanding and controlling these emotions, that also focus on the ability to cast doubt and make well-considered decisions presented through engaging visual content deeply rooted in Jewish psychology. We're empowering our audience with knowledge and awareness, helping them make choices that aren't just about luck but about understanding life's real mysteries. So, the real question is, do we want our kids to chase mystery boxes, or do we want them to unlock the mysterious powers within themselves?

Bringing Joy and Values to All Ages Cartoons have been a beloved form of entertainment for generations, capturing the hearts and imaginations of audiences young and old. But beyond just providing a source of entertainment, cartoons have the power to influence and shape the lives of those who watch them. From teaching valuable lessons to instilling positive values, cartoons have a profound effect on their audiences, and the opportunity to create meaningful and impactful content through this medium is immense. At Four4BIT Animation Studio, we understand the significance of this impact, and that's why we strive to create content that not only captivates and delights, but also leaves a lasting impression. Our upcoming "Vortex" series and comic books are the perfect example of this, offering a unique blend of humor, adventure, and heart that appeals to audiences of all ages. But what makes cartoons so powerful? Research has shown that cartoons have a unique ability to reach children in a way that other forms of media cannot. The bright colors, exaggerated expressions, and dynamic storytelling style of cartoons have been proven to capture the attention of children, making them more receptive to the messages being communicated. This is why cartoons have been used as a tool for education and behavioral change for decades, with organizations like Sesame Street and The Magic School Bus providing valuable lessons to children through the medium of animation. King Solomon in his book Proverbs says: "Train a lad in the way he ought to go; He will not swerve from it even in old age". In other words, by speaking the language that a child understands, you can reach their heart and have a profound impact! There is the known Parable of the "King's son who fell into madness" - according to the story of Rabbi Nachman from Breslav: Once upon a time, there was a prince who believed he was a turkey (Hindik). He removed all his clothes and sat under the table, eating scraps. Everyone who tried to cure him was amazed. The king, his father, was heartbroken, and close to despair. One day, a wise man appeared in the king's courtyard, offering his help. The king agreed, and the wise man went into action. He also removed his clothes and sat under the table, eating scraps. "Who are you?" asked the prince. "What are you doing here?" "I am a turkey!" replied the wise man. "I am also a turkey!" replied the prince, welcoming the wise man with a smile. After introducing themselves, the wise man signaled to the household staff to throw shirts under the table for them. As the wise man put on a shirt, the prince asked, "Why are you doing that?" The wise man replied, "You can wear a shirt and still be a turkey." The prince also put on a shirt. Over time, the wise man signaled for the king's servants to throw pants under the table for them. Again, the prince asked why they were wearing pants if they were turkeys, and the wise man replied, "Your status as a turkey will not be affected. You can wear pants and still be a turkey." The wise man continued this process until they were both fully dressed. They were then given regular food from the table. When the prince complained, the wise man said, "Eat and be satisfied. You can eat regular food and still be a turkey." And so it was. The prince realized that he could wear clothes, eat regular food, and still be a turkey. This proverb underscores the wisdom of King Solomon's advice. It highlights the importance of setting a positive example and modeling appropriate behavior. However, simply doing so is not enough. To truly have an impact, we must make our guidance accessible and relevant to children, by speaking in a way that they understand and can relate to. In this way, we can influence and guide them in a meaningful way that will stay with them throughout their lives. And if we get back to cartoons, however, it's not just children who are affected by the power of cartoons. Adults too can be influenced by the stories and characters they watch, and research has shown that cartoons can evoke emotions and inspire behavior change in people of all ages. Whether it's learning important life lessons or simply being entertained, cartoons have the ability to touch people in meaningful ways. At Four4BIT Animation Studio, we're on a mission to bring the power of cartoons to the masses. With our focus on creating high-quality, family-friendly content that appeals to audiences of all ages, we believe that we have the opportunity to make a positive impact on the world. Whether it's through our upcoming "Vortex" series, our comic books, or future projects, we're committed to delivering content that is both entertaining and educational, offering a fun and engaging way for people to learn and grow. So why not join us on our journey? Whether you're an investor, a fan, or just someone who loves cartoons, there's a place for you at Four4BIT Animation Studio. With our commitment to delivering meaningful and impactful content, and our passion for entertaining audiences of all ages, we're sure that you'll find something to love about our studio. So why wait?! Get in on the action today and help us bring the power of cartoons to the world!

We are currently seeking talented and passionate artists to join our team, including Comics Artists, Comic Colorists, Character Designers, Concept Artists, 2D Animators, and Storyboard Artists. If you have a background in the industry and a passion for art, music, and storytelling, we want you to be a part of our team. In 2023, we are focused on finding an investor to help us bring our first Comic book, Vortex, to life. This exciting project is a psychologically adventurous tale set in a magical fantasy world, centered on the concept of "choice" and the impact it has on our lives and the world around us. We believe that this unique and engaging story will resonate with audiences of all ages. At Four4BIT Animation Studio, we are dedicated to fostering a supportive and collaborative environment where our artists can unleash their full potential. If you share our passion for art, storytelling, and innovation, we invite you to join us as we continue to grow and evolve as a company. Let's make magic together!

Introducing "Vortex," the new comic book series from Four4BIT Animation Studio! We know what you're thinking, "Another comic book series? Yawn." But trust us, "Vortex" is unlike anything you've seen before. This is the kind of epic tale that'll have you on the edge of your seat, gripping the pages so tight that the comic book might just spontaneously combust. Our team at Four4BIT has spent countless hours creating unique characters, building a thrilling plot, and perfecting the art of this comic book. But what really sets "Vortex" apart is its ability to combine action, adventure and emotional depth. The mainly reason why we're here is because we truly believe in this story and want to share it with the world. And we want you to be a part of that. So, whether you're a die-hard comic book fan or just looking for a new series to dive into, we invite you to join us on this journey and become a part of bringing "Vortex" to life. We're currently on the lookout for investors to help us bring this incredible story to the masses. Think about it, you could be a part of something big, something that's going to make waves in the comic book industry. Not to mention, you'll get to brag to your friends about how you were a part of the next big thing. So, don't miss out on this opportunity to invest in Four4BIT Animation Studio and be a part of the "Vortex" phenomenon. Together, we can make this comic book series a reality and entertain audiences around the world. Plus, you'll have a lifetime supply of "I told you so's." Thank you for your consideration, and we can't wait to see you on the other side of the Vortex! ;)